Directed by Peter Jackson
Digital Effects Producer: Charlie
McClellan
Visual Effects Produced by:
Produced completely in New Zealand, THE FRIGHTENERS is an absolutely fantastic film,
directed by Peter Jackson, and written by Jackson and Fran Walsh. The movie stars
Michael J. Fox as a crooked paranormal investigator who is actually conpiring with
spirits of the dead to drum up business. What he stumbles upon is The Soul Collector,
a spirit shape shrouded in black robes and steals the life from the living.
For the film, Jackson created Weta Ltd. and followed in the footsteps of other
pioneering filmmakers like James Cameron (Digital Domain) and George Lucas (ILM).
Jackson experimented with the power of digital effects in his 1994 effort, HEAVENLY
CREATURES. With that experience, he was driven to enter the world of digital effects.
During the production of CREATURES, Jackson began his digital empire, purchasing SGI
workstations and hiring visual effects artists, including longtime ILM artist Wes
Takahashi
Over 500 effects shots appear in THE FRIGHTENERS, and a combination of techniques were
used, including CG, 2-D warping, and bluescreen composites with exceptional
rotoscoping. The spirits appear as semi-transparent glowing figures. Each spirit
element was shot separately on a bluescreen stage. Motion-control and motion-tracking
were critical in many sequences where the camera moves, pans and tilts. The overall
look of the spirits was solid, and most of the composites were balanced.
WETA LTD.
The film features hundreds of composites, including many with spirits interacting with the living. |
The completely CG Soul Collector is absolutely frightening, with a terrific model and great animation. |
Also fantastic were the elegant transitions that appear at the end of the film, with Fox's character moving in and out of time. The climax is filled with composite after composite, with some brilliant CG animation for the representation of The Light, and Hell.
This is certainly the most creative film of the year so far, and I highly recommend it.
Check out Cinefex 67 and American Cinematographer August '96.
. . VFX HQ Produced by Todd Vaziri . . http://www.vfxhq.com . . e-mail: tvaziri@gmail.com . .
All text Copyright © 1998 Todd Vaziri, unless otherwise noted