Multimedia
Our Credits
DOCTOR DOLITTLE
Visual Effects by
BANNED FROM THE RANCH ENTERTAINMENT |
|
Visual Effects Supervisor
VAN LING
|
Visual Effects Producer
CASEY CANNON |
|
Digital Artists
ERICH IPPEN
MARTHA SOEHENDRA
TODD VAZIRI
TRAVIS LANGLEY
JOHNATHAN BANTA
IAN MARKS
STEVEN WALKER
|
Visual Effects Coordinators
MICHELE LINSE
KERRY SHEA
CRYSTAL FOTH
SUSAN THURMOND
|
Visual Effects Editor
HITOSHI INOUE
Technical Supervisor
DERICK TORTORELLA
I/O Coordinator
MELISSA MEAD
|
Special Thanks to:
Tim Sassoon, Brian Holden, Yukiko Ishiwata, Gunther Schatz, Jordan Harris, Sean Williams
|
|
Resources
, from Twentieth Century Fox, features information about the film, multimedia downloads, and much, much more. http://www.drdolittle.com
VFX HQ's coverage of DOCTOR DOLITTLE contains the full list of effects houses that worked on the film, a review of the visual effects from the film. http://www.vfxhq.com/1998/dolittle.html
Adobe After Effects, the Mac-based compositing tool which we used to not only composite but animate our talking animal shots. http://www.adobe.com/prodindex/aftereffects/main.html
Puffin Designs' Commotion, the powerful, real-time paint program for the Mac, was indispensable during our production of DOCTOR DOLITTLE. Countless paint and rotoscoping chores were handled in Commotion, chores that would have been difficult (if not impossible) using other software. http://www.puffindesigns.com
MetaCreations' Final Effects, the set of After Effects plug-ins that allowed us to animate the tiger, guinea pig and drunk monkey. http://www.metacreations.com/products/
ISFX's Matte Wizard, the powerful set of matte/edge/blur plug-ins that allowed us to realistically integrate bluescreen footage into our composites. Plug-ins such as Smooth Screen, Spill Killer and Faster Blur were used extensively throughout our comps.http://www.isfx.com
DigiEffects' Berserk, plug-ins for After Effects, allowed us to image-process our backgrounds to look realistic. In particular, the NightBloom plug-in proved to be indispensable in for our Coit Tower sequence.http://www.digieffects.com
Shake, from Nothing Real was used extensively to view film resolution footage at real time, perform comparisons, and do countless file conversions. http://www.nothingreal.com
Apple Computer. 99% of our work on DOCTOR DOLITTLE was produced on the Macintosh, with every single shot composited on the Mac with After Effects. 'Nuff said. http://www.apple.com
Twentieth Century Fox, the film studio that produced and released DOCTOR DOLITTLE. http://www.foxmovies.com
Banned From The Ranch Entertainment Home Page
General Information: info@bftr.com
|
|
